A series of
oversized portrait done in oil on paper exploring the moment between poses,
when the subject is disengaged from the moment of pose, -not cognizant of the
fall of expression or the pull of skin and facial muscle. I wanted to catch the
instant, when the subject is considering the next pose and so is removed from
the consciousness of me, the artist, documenting the moment
In
considering the positure of traditional portraiture, where the sitter engages
fully with the viewer and is so aware of the possible interpretation of
themselves, I concluded that the rendering of portrait was often not a very
true reflection of the subject. The truth of character is to be found in the
moments between posing, and I set about to try and capture that moment.
In the
placing of the subjects as I have, and in cutting the chest area sharply, I
looked to the era of cameos, so popular in the Victorian era, referencing the
romanticism of portraiture, and humanity.
Within my portraits, I would hope for
the viewer to form a relationship with the subject, bourne from their
imagination, and their relationship with self.
In framing
the work with reflective glass, the viewer is made to contemplate the painting
through of their own reflection and in doing so, becomes one with the character
portrayed in the painting. I believe that we experience qualities of ourselves
in all whom we meet, and should perhaps become more aware of those qualities
reflected back at ourselves in order for us to understand more, who we are.
"Limina V"
140x160cm
Oil on paper
"Limina IV"
140x190cm
Oil on paper
"Limina I"
140x190cm
Oil on paper
"Limina III"
140x190cm
Oil on paper
"Limina II"
140x190cm
Oil on paper
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